Juntos Podemos Curar

In February 2026, an international team of artists, technicians, and members of the Arhuaco Indigenous people embarks on an extraordinary journey into the sacred mountains of the Sierra Nevada de Santa Marta, Colombia.

In February 2026, an international team of artists, technicians, and members of the Arhuaco Indigenous people embarks on an extraordinary journey into the sacred mountains of the Sierra Nevada de Santa Marta, Colombia.

At almost 5,000 meters above sea level, the remains of a helicopter that crashed in 1974 still lie on the shore of Lake Naboba—a foreign object and a lasting disturbance within a territory of profound spiritual significance for the Arhuaco people.

With the approval and accompaniment of the Arhuaco authorities and their spiritual leaders, the Mamos, the expedition undertakes the careful recovery of the helicopter’s aluminum fragments. What begins as a technical task becomes a symbolic process of healing. Through ceremonies and a specially created protected pathway, the remains are respectfully removed from the sacred territory, restoring balance to a relationship altered between human beings and the landscape.

In February 2027, in Santa Marta, the recovered helicopter aluminum becomes the foundation of the artwork HUSO, created by Austrian artist Emmerich Weissenberger. Together with mineralized driftwood from the Sierra Nevada, students from the University of Magdalena, together with Colectivo Yosokwi and the ArtEmbassy Art Collective, create a six-meter-high sculpture under his artistic direction.
The artwork represents peace, reconciliation, ecological and social justice, and creates a future space for dialogue.

HUSO is the spindle that spins the thread connecting all existence—the thread of Mother Naboba.

Together, the documentary and the artwork form a single process: transforming a symbol of disruption into a symbol of connection, responsibility, and healing.

When

February 2026

Where

Lake Naboba, Sierra Nevada de Santa Marta

With

Arhuaco traditional authorities and Mamos

Artistic concept

Emmerich Weissenberger

Coordination

Gunzareiman Villafaña Torres, Amado Villafaña Chaparro

Photos

Nora Ruzsics

Gallery

Photos: Nora Ruzsics

The documentary

The documentary follows this unique journey into a remote and challenging environment and captures an encounter between Indigenous knowledge, contemporary art, and international collaboration. It shows how the traces of a past accident can become part of a process of healing, reconciliation, and connection.

Two years of preparation led to this mission.

Gunzareiman Villafaña Torres and Amado Villafaña Chaparro, coordinators of the Arhuaco, realized it together with the traditional authorities and Mamus of the Sierra Nevada de Santa Marta.
On February 7, 2026, the international team sets out for Nabusimake: Emmerich Weissenberger (artistic concept), Nora Ruzsics, Seykugumu Garavito Torres, Camilo Mosquera Mejía and Liberman Arango (camera), Dilia Villafaña Torres (sound), as well as Gonzalo Rioseco, Hernando Barragán, Clark Shimeall and Jonathan Dabbs (technical team). The project is supported by numerous Arhuaco women and men and accompanied by Mamu Rogelio and other Mamus.In Santa Marta, the aluminum fragments undergo a second transformation: they become a social sculpture made of driftwood in the form of a lemniscate — a symbol of continuity and interconnectedness — as well as a monumental 20 × 10 meter “Mural Social.”Under the artistic direction of Emmerich Weissenberger, young Arhuaco work together with Colombian and international art students to realize the project.

Thus, “Juntos Podemos curar – We Can Heal” becomes a collective and solidarity-based act — a visible sign of responsibility, remembrance, and cultural renewal.

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